Projects
Bartók, Chin, Eötvös, Ravel, Dan
KLÁRI-SUITE
Rarely performed musical works by Béla Bartók, Unsuk Chin, Peter Eötvös and Maurice Ravel meet virtuoso video compositions by artist Robert Pflanz. A poetic and multi-sensory exploration of passion unfolds between echo and dialogue.

Sarah van der Kemp, Gesang | Yejin Gil, Piano | Robert Pflanz, Videoart | Aaron Dan, Komposition, Flöte


Mahler, Eötvös, Hosokawa, Currier
The Song of the Earth –
Dialogue of the diverse
Gustav Mahler’s Song of the Earth, a work about Life and Death, Youth and Old Age, Day and Night, combines western composition with an unfamiliar, far-eastern soundworld. We have adopted the Mahlerian concept Dialogue of the Diverse as the central focus of the planned concert project. The programming concept is certainly unique: it was inspired by the twin global perspective which Mahler wove throughout his Song of the Earth, even at structural level. As well as the ensemble which will play Mahler’s richly scored orchestral work in the Second Half, the First Half of the concert will feature several world premieres performed by solo instrumentalists – each of which will be written specifically for the project, making reference to Mahler’s work, both in content and compositional process. We have been especially fortunate in securing top-class soloists (Berlin Philharmonics) and composers from Japan, Hungary, Israel, Germany, France and the USA. They are undertaking the challenge of interpreting Mahler’s messages anew, through the means of solo music.
This concert series was realised with Jungen Kammerphilharmonie Berlin (organiser, commissioner and orchestra) and musicians from the Berliner Philharmoniker (soloists and teachers).
”
– MÄRKISCHE ALLGEMEINE
Liszt & Wagner Lieder
"A voice with charisma and warmth” Sarah van der Kemp shaped the concert as the vocal soloist; her singing was inspiring. (…) she skilfully holds this song to the ground, preserving it from kitsch and a height that might sound too jubilant.”
Liszt, Wagner (Arrangement: Bello)
Liszt Songs for Chamber orchestra
Richard Wagner’s Siegfried Idyll with its tenderly transfigured melodies is his only work for chamber orchestra, a declaration of love for his newlywed wife Cosima on the occasion of her 33rd birthday and the birth of their son Siegfried.
Aurélien Bello’s new orchestrations of Wagner’s Wesendonck-Lieder and selected songs by Liszt follow Wagner’s intimate sound ideal by faithfully adopting the chamber instrumentation of the Siegfried Idyll. This opens up an innovative, sharpened perspective on the compositions, combining the intimacy of the art song with the rich colour palette of an orchestra.
Richard Wagner:
(Poems: M. Wesendonck)
1. Der Engel
2. Steh still!
3. Im Treibhaus
4. Schwerzen
5. Träume
Franz Liszt:
Die Loreley (H. Heine)
Im Rhein im schönen Strome (H. Heine)
Ein Fichtenbaum steht einsam (H. Heine)
O quand je dors (V. Hugo)
La tombe et la rose (V. Hugo)
Mignons Lied (J.W. von Goethe)
Wer nie sein Brot mit Tränen aß (J.W. von Goethe)
Es war ein König in Thule (J.W. von Goethe)
Die drei Zigeuner (N. Lenau)
J'ai perdu ma force et ma vie (A. de Musset)
Ich möchte hingeh'n (G. Herwegh)
Liebestraum (F. Freiligrath)




Beethoven, Haydn, Brahms, Schostakowitsch
Songs with Piano trio
Piano trio and art song – two genres of chamber music to which important composers of many eras devoted themselves. In combination, however, the repertoire is surprisingly small. The 600 or so arrangements of Irish, Welsh, Scottish and other language folk songs by Hayden and Beethoven, as well as the Romance Suite op. 127 by Shostakovich, occupy a special position.
They inspire a project for piano trio and voice: The programme includes a selection of Beethoven’s folk song arrangements and Brahms’ Four Serious Songs – arranged for this instrumentation.
CD project
László Simon in Memoriam
In memory of the pianist László Simon, this collection was created with recordings from the Swedish Radio.
